These two traditional songs fit together amazingly well in this excellent concert/festival selection! Each voice part becomes more independent as the arrangement progresses, and when all the parts do their
This popular Hungarian folk song, rich melodically and rhythmically, will work well with a variety of ages. An English translation is included.
This exquisite work has a haunting yet whimsical quality as it tells its story from the viewpoint of a wanderer who has returned home to share life's experiences, only to leave again in the final,
A delightful treble piece that poignantly suggests that as a tree grows, so do we. "Stretch your arms, and spread your leaves. What will you be?" A perfect piece to celebrate and commemorate the growth of
Two traditional favorites, I Want to Rise and Swing Low, Sweet Chariot, are woven together in this medley that presents the melodies in unison or simple harmony before partnering the two
"Winding road, western wind, golden moon, silver stars... take me home." Here's a folk-inspired lyrical original that is a beautiful choice for treble choirs. The tuneful melody is memorable, and the gentle
Excerpts from Robert Louis Stevenson’s poem The Moon combine with original text to create a mysterious and enchanting selection for young voices. Accessible two-part writing is ideal for
This gentle original setting of an 11th-century Japanese text captures the mystery and flavor of ancient Japan and frames the middle section, which is in English. Haunting melodies and simple harmonies are
Three intriguing poems by Emily Dickinson - Hope; Shade and Soul - are set in a seamless texture for two-part choirs with an imaginative piano accompaniment that ties them together.
"There is no frigate like a book" and "I never saw a moor": two short pieces with inspirational texts are set to music with great artistic flair. The first piece is in unison, the second in two parts.
Thoughtfully crafted to make your treble singers sound their best, this lyrical folk tune is sung first in unison, then in canon, with call and response, and eventually with some parallel harmonies. A